Showing posts with label famous art. Show all posts
Showing posts with label famous art. Show all posts

Wednesday, October 29, 2008

Picasso Exhibit at Tokyo National Art Centre




Just to be clear, there are currently 2 Picasso exhibits showing in Tokyo. One in the Roppongi Midtown Suntory Museum of Art, entitled, "Picasso: Portrait of Soul". The second one, entitled, "Picasso: From the collection of the Musee National Picasso, Paris". Both run from October 4th to December 14th. We saw the second one at the National Art Centre (NAC).

The one at the NAC costs 1500 yen per person (adult). I believe that the the one at the Suntory Museum costs 1300 yen per adult. Just to for fun, the curators of the two Museums (I'm not sure if it's jointly managed), decided to have the two shows run parallel. Both galleries are in the Roppongi area and are about a 7-9 minute walk from the Hibiya line Roppongi station.

When we decided we were going to go see the Picasso exhibit on the national holiday honouring sports and fitness in Japan (no kidding, they have something akin to a phys. ed day here!), we hadn't realized that there were two separate and distinct exhibits on the great artists. We arrived at Roppongi station via the Hibiya metro line and started following signs to the Picasso exhibit. I was somewhat confused because I had read in the magazines that the exhibit (that we thought were going to see) was at the NAC. We had never been to the NAC before, but I had passed by signs pointing the way to the NAC several times. Upon seeing signs to get to "the Picasso exhibit at the Tokyo Midtown", I was slightly confused, but thought that there must have been some underground tunnel route that I was unaware of. Not an unreasonable assumption because Tokyo has far too many underground routes for me to track... However, these signs were actually pointing to the first of the exhibits that we ended up not having sufficient time to see that day.

Luckily for us, I decided that I knew best and decided to ignore the signs pointing us to the Tokyo Midtown's Picasso exhibit. We found the NAC with almost no incident. Almost because I nearly got run over by a taxi as the road turning left from the main street actually has no pedestrian sidewalk for the first bit. So if you're really unlucky, a taxi will round a corner far to fast to see you at first, and will only swerve at the last possible minute to heighten the impending drama.

Once there, the outside of the building is impressive. It's not a rectangular shaped building and it has a large garden out front which is uncharacteristic of most Japanese buildings. Access to the regular exhibits is actually free, so you might actually end up inside following the "free" signs, only to have to come outside again to buy tickets for the special exhibit. We saw it happen to a couple of people in front of us.

Once inside the building, their is an atrium-like atmosphere given off from the floor to ceiling windows. A number of snack places exist on the left (see photo above) and the galleries start on the first floor and continue upstairs. You have to pay attention carefully to the signs lest you walk into the wrong exhibit (i.e. one that isn't free and one that you haven't paid for). Or you can do what we did and blindly followed the crowd. Since it was a national holiday, there was actually a lot of people there to see the Picasso exhibit that day.

From the maps that they give you at the front (after they check your bags and pass a metal wand over all your clothes), it looked as if the exhibit was took up about 6 rooms, one of those was a large corner room. The ceilings were high, giving the effect of space. However, for most of the art (painting and sculptures), it seemed as if there was too many in too tight a space. Call me a Picasso art snob, but when I was in Spain at the Picasso museum there, there was an entire museum and several floors and a basement devoted to Picasso's works and his life. I think the souvenir shop was bigger than the exhibit in Tokyo. Anyways, while it was nice for the pieces from Paris to come to Tokyo for my viewing pleasure, it seemed to be a lot of Picasso for a couple hours, especially when the exhibit hall is so cramped.

We had originally planned to see the 2nd exhibit as well, but after the trials of the first exhibit, we decided to call it a day. We were excited to see one of the Bay at Cannes paintings up on the wall. We stopped there for a while and looked at the original. We have a print up on our wall at home. It's from the same series, but I don't believe it's the exact original as the original was hanging up in the Picasso museum in Spain. But it was nice to know that we owned a copy of art worthy of show.


After the NAC, we made a half-hearted attempt to get to the Midtown's exhibit. But when we smelled all the food from all the restaurants serving lunch, we decided to do lunch instead. Above is the scene after my vodka and grenadine showed up. As you can see, we succumbed to the omiyage store which was strategically positioned at the exit of the exhibit.

It was worth the 1500 yen but I would like to go again during the week when it there are less crowds and I can enjoy each painting/sculpture more. I imagine the exhibit is just as popular during the weekends.

Wednesday, July 30, 2008

Traveling abroad where it's hot and NOT HUMID

Last night, I chatted briefly with one of my Japanese friends. She just came back from a 1-week trip to the Mediterranean. She was touring Italy and Rome and some other big cities. I asked her how it was and if she got to see all the famous places and art while she was there. She of course laughed because it would be impossible to see everything in a week. She visited about 4 different cities in all, but I could only recall Rome specifically. She was ecstatic about having been able to book a visit to see the famous painting of the Last Supper by Leonardo da Vinci. Apparently, these days, you cannot just show up at the place and expect to see the great masterpiece, you must book an appointment in advance and the viewing only lasts 15 minutes. You must show up on time for your appointment and you must leave at the end of your time period. She loved being able to see the famous painting, but bemoaned the lack of sufficient time to appreciate the huge work of art.

On the more interesting off-hand commentary note, she also mentioned that the Mediterranean was hot. "But not as hot as Japan, right?", I asked her. "Worse. Over there, it's HOT and DRY, no humidity at all," came the surprise reply. Wow. I didn't expect that. I guess growing up here in Japan, you're just used to all the humidity. It's like that comforting, familiar feeling of being at home and at ease during Japanese summers. You know it's going to be hot, but you don't need lotion because you're always slightly moist and sticky due to the 60% + humidity daily. But to complain about the extremely lack of it? Hmmmm. I'm not sure I would choose daily humidity over dryness. You can always slap on extra strong lotion, but it's not like you can carry a purse full of sodden towels or handkerchiefs without smelling like you're carrying a bagful of dirty laundry, or a gymbag full of freshly used hockey equipment.

Come to think of it, I have experienced HOT and DRY climates before. In the Caribbean. It was actually nice. Needed lots of sunblock during the day and lots of after sun lotion at night. The nicest thing was that you could literally jump in the pool for 15 minutes in the morning and hop out, walk back to your room and be dry enough to go grab some breakfast.

Here, it's about a 12 minute walk to the nearest train station. I can do it mostly by walking indoors, underground, or with reasonable shade. Yet, when I reach the entry gates, I'm literally starting to break out into a sweat and I'm not doing any stressful running or anything, just walking at a leisurely pace. Nothing dries off your body. You have to look for air-conditioning or carry lots of handkerchiefs. I'm thinking of investing in a parasol. I don't even like carrying an umbrella to keep the rain off me, but here I am thinking that it would be about 10 degrees C cooler under the shade of parasol. The problem I have is that I would have to carry it around with me.

Call me a wimp, but give me HOT & DRY anyday. I can't do laundry fast enough to keep up with these HOT & HUMID Japanese summer days and HOT & SULTRY Japanese summer nights.

As for my Japanese friend, she returned to the motherland slightly parched, in need of lotion, and fully satisfied with the art and the shopping in Italy. She actually expressed some gratitude for all the humidity we were having lately. And she picked me up a pretty, little omiyage in the form of a glass beaded bracelet. How very thoughtful and so very Japanese. Wazawaza - to go through all that trouble for little old me. :-D

Now, if she could just do something about all this humidity.